Copyright for adwaita-icon-theme source package in Jammy

This package was originally debianized by Takuo KITAME  on
Fri, 17 Jan 2003 14:57:28 +0900.
Andreas Henriksson  later reused the gnome-icon-theme
packaging for the new adwaita-icon-theme package name.

It was downloaded from 

Files: *
Copyright:
 © 2002-2014:
 .
  Full Color Icons
  ================
 .
  Ulisse Perusin 
  Riccardo Buzzotta 
  Josef Vybíral 
  Hylke Bons 
  Ricardo González 
  Lapo Calamandrei 
  Rodney Dawes 
  Luca Ferretti 
  Tuomas Kuosmanen 
  Andreas Nilsson 
  Jakub Steiner 
 .
  Some external 3D Assets used:
  Geraldo Cockerhan - http://www.blendswap.com/blends/view/40495 CCBYSA
 .
  Symbolic Icons
  ==============
 .
  Metaphors
  ---------
  Claire Alexander 
  Hylke Bons 
  Darren Wilson 
 .
  Artwork
  -------
  Jakub Steiner 
  Lapo Calamandrei 
  Hylke Bons 
 .
License: CC-BY-SA-3.0 or LGPL-3
 This work is licenced under the terms of either the GNU LGPL v3 or
 Creative Commons Attribution-Share Alike 3.0 United States License.
 .
 To view a copy of the CC-BY-SA licence, visit
 https://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative
 Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA.
 .
 When attributing the artwork, using "GNOME Project" is enough.
 Please link to https://www.gnome.org where available.
Comment:
 See below for the full text of the CC-BY-SA-3.0.
 .
 On Debian GNU/Linux systems, the complete text of the GNU Lesser General
 Public License can be found in `/usr/share/common-licenses/LGPL-3'.

Files:
 po/*
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License: CC-BY-SA-3.0-US or LGPL-3
 This work is licenced under the terms of either the GNU LGPL v3 or
 Creative Commons Attribution-Share Alike 3.0 United States License.
 .
 To view a copy of the CC-BY-SA licence, visit
 https://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative
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 When attributing the artwork, using "GNOME Project" is enough.
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Files:
 po/tk.po
Copyright:
 © 2004 Free Software Foundation
 © 2004 Gurban Mühemmet Tewekgeli and Kakilik - Turkmen free software developers community
License: GPL-unspecified
 This file is distributed under the terms of GNU General Public License (GPL)
Comment:
 On Debian systems, the complete text of the GNU General
 Public License can be found in `/usr/share/common-licenses/GPL'.

Files:
 Adwaita/scalable/status/night-light-symbolic.svg
 Adwaita/scalable/ui/pan-down-symbolic.svg
 Adwaita/scalable/ui/pan-end-symbolic-rtl.svg
 Adwaita/scalable/ui/pan-end-symbolic.svg
 Adwaita/scalable/ui/pan-start-symbolic-rtl.svg
 Adwaita/scalable/ui/pan-start-symbolic.svg
 Adwaita/scalable/ui/pan-up-symbolic.svg
 src/fullcolor/application-x-sharedlib.svg
 src/symbolic/gnome-stencils.svg
Copyright:
 unspecified, possibly © Jakub Steiner
License: CC-BY-SA-4.0

Files:
 src/fullcolor/accessories-dictionary.svg
Copyright:
 © Ulisse Perusin
 © Lapo Calamandrei
 © SoylentGreen
 © Luigi Chiesa
 © unknown contributor to FreeSeamlessTextures.com
License: GFDL-1.2+ or CC-BY-SA-3.0-Unported or CC-BY-SA-2.0-IT, and CC-BY-3.0-US

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 [Creative Commons Legal Code]
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 Attribuzione–Condividi allo stesso modo 2.0 (ITALIA)
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 L’ASSOCIAZIONE CREATIVE COMMONS (DI SEGUITO ‘CREATIVE COMMONS’) NON È
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 La Licenza
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 L’OPERA (COME SOTTO DEFINITA) È MESSA A DISPOSIZIONE SULLA BASE DEI
 TERMINI DELLA PRESENTE LICENZA “CREATIVE COMMONS PUBLIC LICENCE” (‘CCPL’
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 1. Definizioni. Ai fini e per gli effetti della presente licenza, si
 intende per
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 1.  "Collezione di Opere", un’opera, come un numero di un periodico,
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 2.  "Opera Derivata", un’opera basata sull’Opera ovvero sull’Opera
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     movimento (“synching”) sarà considerata Opera Derivata ai fini di
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 3.  "Licenziante", l’individuo o l’ente che offre l’Opera secondo i
     termini e le condizioni della presente Licenza;
 4.  "Autore Originario", il soggetto che ha creato l’Opera;
 5.  "Opera", l’opera dell’ingegno suscettibile di protezione in forza
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 6.  "Tu"/"Te", l’individuo o l’ente che esercita i diritti derivanti
     dalla presente Licenza e che non abbia precedentemente violato i
     termini della presente Licenza relativi all’Opera, o che, nonostante
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     Attribuzione, Condividi allo stesso modo.
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 ridurre, limitare o restringere alcun diritto di libera utilizzazione o
 l’operare della regola dell’esaurimento del diritto o altre limitazioni
 dei diritti esclusivi sull’Opera derivanti dalla legge sul diritto
 d’autore o da altre leggi applicabili.
 .
 3. Concessione della Licenza. Nel rispetto dei termini e delle
 condizioni contenute nella presente Licenza, il Licenziante concede a Te
 una licenza per tutto il mondo, gratuita, non esclusiva e perpetua (per
 la durata del diritto d’autore applicabile) che autorizza ad esercitare
 i diritti sull’Opera qui di seguito elencati:
 .
 1.  riproduzione dell’Opera, incorporazione dell’Opera in una o più
     Collezioni di Opere e riproduzione dell’Opera come incorporata nelle
     Collezioni di Opere;
 2.  creazione e riproduzione di un’Opera Derivata;
 3.  distribuzione di copie dell’Opera o di supporti fonografici su cui
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     esecuzione, recitazione o esposizione in pubblico, ivi inclusa la
     trasmissione audio digitale dell’Opera, e ciò anche quando l’Opera
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 4.  distribuzione di copie dell’Opera o di supporti fonografici su cui
     l’Opera Derivata è registrata, comunicazione al pubblico,
     rappresentazione, esecuzione, recitazione o esposizione in pubblico,
     ivi inclusa la trasmissione audio digitale di Opere Derivate.
 5.  Al fine di evitare dubbi è inteso che, se l’Opera sia di tipo
     musicale
 .
     1.  Compensi per la comunicazione al pubblico o la rappresentazione
         od esecuzione di opere incluse in repertori. Il Licenziante
         rinuncia al diritto esclusivo di riscuotere compensi,
         personalmente o per il tramite di un ente di gestione collettiva
         (ad es. SIAE), per la comunicazione al pubblico o la
         rappresentazione od esecuzione, anche in forma digitale (ad es.
         tramite webcast) dell’Opera.
     2.  Compensi per versioni cover. Il Licenziante rinuncia al diritto
         esclusivo di riscuotere compensi, personalmente o per il tramite
         di un ente di gestione collettiva (ad es. SIAE), per ogni disco
         che Tu crei e distribuisci a partire dall’Opera (versione
         cover).
 .
 6.  Compensi per la comunicazione al pubblico dell’Opera mediante
     fonogrammi. Al fine di evitare dubbi, è inteso che se l’Opera è una
     registrazione di suoni, il Licenziante rinuncia al diritto esclusivo
     di riscuotere compensi, personalmente o per il tramite di un ente di
     gestione collettiva (ad es. IMAIE), per la comunicazione al pubblico
     dell’Opera, anche in forma digitale.
 7.  Altri compensi previsti dalla legge italiana. Al fine di evitare
     dubbi, è inteso che il Licenziante rinuncia al diritto esclusivo di
     riscuotere i compensi a lui attribuiti dalla legge italiana sul
     diritto d’autore (ad es. per l’inserimento dell’Opera in
     un’antologia ad uso scolastico ex art. 70 l. 633/1941). Al
     Licenziante spettano in ogni caso i compensi irrinunciabili a lui
     attribuiti dalla medesima legge (ad es. l’equo compenso spettante
     all’autore di opere musicali, cinematografiche, audiovisive o di
     sequenze di immagini in movimento nel caso di noleggio ai sensi
     dell’art. 18-bis l. 633/1941).
 .
 I diritti sopra descritti potranno essere esercitati con ogni mezzo di
 comunicazione e in tutti i formati. Tra i diritti di cui sopra si
 intende compreso il diritto di apportare all’Opera le modifiche che si
 rendessero tecnicamente necessarie per l’esercizio di detti diritti
 tramite altri mezzi di comunicazione o su altri formati. Tutti i diritti
 non espressamente concessi dal Licenziante rimangono riservati.
 .
 4. Restrizioni. La Licenza concessa in conformità al precedente punto 3
 è espressamente assoggettata a, e limitata da, le seguenti restrizioni
 .
 1.  Tu puoi distribuire, comunicare al pubblico, rappresentare,
     eseguire, recitare o esporre in pubblico l’Opera, anche in forma
     digitale, solo assicurando che i termini di cui alla presente
     Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
     supporto fonografico su cui è registrata l’Opera) che distribuisci,
     comunichi al pubblico o rappresenti, esegui, reciti o esponi in
     pubblico, anche in forma digitale, devi includere una copia della
     presente Licenza o il suo Uniform Resource Identifier. Non puoi
     proporre od imporre alcuna condizione relativa all’Opera che alteri
     o restringa i termini della presente Licenza o l’esercizio da parte
     del beneficiario dei diritti qui concessi. Non puoi concedere
     l’Opera in sublicenza. Devi mantenere intatte tutte le informative
     che si riferiscono alla presente Licenza ed all’esclusione delle
     garanzie. Non puoi distribuire, comunicare al pubblico,
     rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
     neanche in forma digitale, usando misure tecnologiche miranti a
     controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
     incompatibile con i termini della presente Licenza. Quanto sopra si
     applica all’Opera anche quando questa faccia parte di una Collezione
     di Opere, anche se ciò non comporta che la Collezione di Opere di
     per sé ed indipendentemente dall’Opera stessa debba essere soggetta
     ai termini ed alle condizioni della presente Licenza. Qualora Tu
     crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
     devi rimuovere dalla Collezione di Opere stessa, ove materialmente
     possibile, ogni riferimento a tale Licenziante o, su richiesta di
     qualsiasi Autore Originario, a tale Autore Originario, come da
     richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
     qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
     nella misura in cui ciò sia possibile, ogni riferimento a tale
     Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
     Autore Originario, come da richiesta.
 2.  Tu puoi distribuire, comunicare al pubblico, rappresentare,
     eseguire, recitare o esporre in pubblico l’Opera, anche in forma
     digitale, solo assicurando che i termini di cui alla presente
     Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
     supporto fonografico su cui è registrata l’Opera) che distribuisci,
     comunichi al pubblico o rappresenti, esegui, reciti o esponi in
     pubblico, anche in forma digitale, devi includere una copia della
     presente Licenza o il suo Uniform Resource Identifier. Non puoi
     proporre od imporre alcuna condizione relativa all’Opera che alteri
     o restringa i termini della presente Licenza o l’esercizio da parte
     del beneficiario dei diritti qui concessi. Non puoi concedere
     l’Opera in sublicenza. Devi mantenere intatte tutte le informative
     che si riferiscono alla presente Licenza ed all’esclusione delle
     garanzie. Non puoi distribuire, comunicare al pubblico,
     rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
     neanche in forma digitale, usando misure tecnologiche miranti a
     controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
     incompatibile con i termini della presente Licenza. Quanto sopra si
     applica all’Opera anche quando questa faccia parte di una Collezione
     di Opere, anche se ciò non comporta che la Collezione di Opere di
     per sé ed indipendentemente dall’Opera stessa debba essere soggetta
     ai termini ed alle condizioni della presente Licenza. Qualora Tu
     crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
     devi rimuovere dalla Collezione di Opere stessa, ove materialmente
     possibile, ogni riferimento a tale Licenziante o, su richiesta di
     qualsiasi Autore Originario, a tale Autore Originario, come da
     richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
     qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
     nella misura in cui ciò sia possibile, ogni riferimento a tale
     Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
     Autore Originario, come da richiesta.
 3.  Qualora Tu distribuisca, comunichi al pubblico, rappresenti, esegua,
     reciti o esponga in pubblico, anche in forma digitale, l’Opera o
     qualsiasi Opera Derivata o Collezione di Opere, devi mantenere
     intatte tutte le informative sul diritto d’autore sull’Opera. Devi
     riconoscere all’Autore Originale una menzione adeguata rispetto al
     mezzo di comunicazione o supporto che utilizzi citando il nome (o lo
     pseudonimo, se del caso) dell’Autore Originale, ove fornito; il
     titolo dell’Opera, ove fornito; nella misura in cui sia
     ragionevolmente possibile, l’Uniform Resource Identifier, che il
     Licenziante specifichi dover essere associato con l’Opera, salvo che
     tale URI non faccia riferimento alla informazione di protezione di
     diritto d’autore o non dia informazioni sulla licenza dell’Opera;
     inoltre, in caso di Opera Derivata, devi menzionare l’uso dell’Opera
     nell’Opera Derivata (ad esempio, “traduzione francese dell’Opera
     dell’Autore Originario”, o “sceneggiatura basata sull’Opera
     originaria dell’Autore Originario”). Tale menzione deve essere
     realizzata in qualsiasi maniera ragionevole possibile; in ogni caso,
     in ipotesi di Opera Derivata o Collezione di Opere, tale menzione
     deve quantomeno essere posta nel medesimo punto dove viene indicato
     il nome di altri autori di rilevanza paragonabile e con lo stesso
     risalto concesso alla menzione di altri autori di rilevanza
     paragonabile.
 .
 5. Dichiarazioni, Garanzie ed Esonero da responsabilità
 .
 SALVO CHE SIA ESPRESSAMENTE CONVENUTO ALTRIMENTI PER ISCRITTO FRA LE
 PARTI, IL LICENZIANTE OFFRE L’OPERA IN LICENZA “COSI’ COM’E’” E NON
 FORNISCE ALCUNA DICHIARAZIONE O GARANZIA DI QUALSIASI TIPO CON RIGUARDO
 ALL’OPERA, SIA ESSA ESPRESSA OD IMPLICITA, DI FONTE LEGALE O DI ALTRO
 TIPO, ESSENDO QUINDI ESCLUSE, FRA LE ALTRE, LE GARANZIE RELATIVE AL
 TITOLO, ALLA COMMERCIABILITÀ, ALL’IDONEITÀ PER UN FINE SPECIFICO E ALLA
 NON VIOLAZIONE DI DIRITTI DI TERZI O ALLA MANCANZA DI DIFETTI LATENTI O
 DI ALTRO TIPO, ALL’ESATTEZZA OD ALLA PRESENZA DI ERRORI, SIANO ESSI
 ACCERTABILI O MENO. ALCUNE GIURISDIZIONI NON CONSENTONO L’ESCLUSIONE DI
 GARANZIE IMPLICITE E QUINDI TALE ESCLUSIONE PUÒ NON APPLICARSI A TE.
 .
 6. Limitazione di Responsabilità. SALVI I LIMITI STABILITI DALLA LEGGE
 APPLICABILE, IL LICENZIANTE NON SARÀ IN ALCUN CASO RESPONSABILE NEI TUOI
 CONFRONTI A QUALUNQUE TITOLO PER ALCUN TIPO DI DANNO, SIA ESSO SPECIALE,
 INCIDENTALE, CONSEQUENZIALE, PUNITIVO OD ESEMPLARE, DERIVANTE DALLA
 PRESENTE LICENZA O DALL’USO DELL’OPERA, ANCHE NEL CASO IN CUI IL
 LICENZIANTE SIA STATO EDOTTO SULLA POSSIBILITÀ DI TALI DANNI. NESSUNA
 CLAUSOLA DI QUESTA LICENZA ESCLUDE O LIMITA LA RESPONSABILITA’ NEL CASO
 IN CUI QUESTA DIPENDA DA DOLO O COLPA GRAVE.
 .
 7. Risoluzione
 .
 1.  La presente Licenza si intenderà risolta di diritto e i diritti con
     essa concessi cesseranno automaticamente, senza necessità di alcuna
     comunicazione in tal senso da parte del Licenziante, in caso di
     qualsivoglia inadempimento dei termini della presente Licenza da
     parte Tua, ed in particolare delle disposizioni di cui ai punti 4.a,
     4.b e 4.c, essendo la presente Licenza condizionata risolutivamente
     al verificarsi di tali inadempimenti. In ogni caso, la risoluzione
     della presente Licenza non pregiudicherà i diritti acquistati da
     individui o enti che abbiano acquistato da Te Opere Derivate o
     Collezioni di Opere, ai sensi della presente Licenza, a condizione
     che tali individui o enti continuino a rispettare integralmente le
     licenze di cui sono parte. Le sezioni 1, 2, 5, 6, 7 e 8 rimangono
     valide in presenza di qualsiasi risoluzione della presente Licenza.
 2.  Sempre che vengano rispettati i termini e le condizioni di cui
     sopra, la presente Licenza è perpetua (e concessa per tutta la
     durata del diritto d’autore sull’Opera applicabile). Nonostante ciò,
     il Licenziante si riserva il diritto di rilasciare l’Opera sulla
     base dei termini di una differente licenza o di cessare la
     distribuzione dell’Opera in qualsiasi momento; fermo restando che,
     in ogni caso, tali decisioni non comporteranno recesso dalla
     presente Licenza (o da qualsiasi altra licenza che sia stata
     concessa, o che sia richiesto che venga concessa, ai termini della
     presente Licenza), e la presente Licenza continuerà ad avere piena
     efficacia, salvo che vi sia risoluzione come sopra indicato.
 .
 8. Varie
 .
 1.  Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
     pubblicamente in forma digitale l’Opera o una Collezione di Opere,
     il Licenziante offre al destinatario una licenza per l’Opera nei
     medesimi termini e condizioni che a Te sono stati concessi dalla
     presente Licenza.
 2.  Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
     pubblicamente in forma digitale un’Opera Derivata, il Licenziante
     offre al destinatario una licenza per l’Opera originale nei medesimi
     termini e condizioni che a Te sono stati concessi dalla presente
     Licenza.
 3.  L’invalidità o l’inefficacia, secondo la legge applicabile, di una o
     più fra le disposizioni della presente Licenza, non comporterà
     l’invalidità o l’inefficacia dei restanti termini e, senza bisogno
     di ulteriori azioni delle parti, le disposizioni invalide od
     inefficaci saranno da intendersi rettificate nei limiti della misura
     che sia indispensabile per renderle valide ed efficaci.
 4.  In nessun caso i termini e le disposizioni di cui alla presente
     Licenza possono essere considerati rinunciati, né alcuna violazione
     può essere considerata consentita, salvo che tale rinuncia o
     consenso risultino per iscritto da una dichiarazione firmata dalla
     parte contro cui operi tale rinuncia o consenso.
 5.  La presente Licenza costituisce l’intero accordo tra le parti
     relativamente all’Opera qui data in licenza. Non esistono altre
     intese, accordi o dichiarazioni relative all’Opera che non siano
     quelle qui specificate. Il Licenziante non sarà vincolato ad alcuna
     altra disposizione addizionale che possa apparire in alcuna
     comunicazione da Te proveniente. La presente Licenza non può essere
     modificata senza il mutuo consenso scritto del Licenziante e Tuo.
 6.  Clausola iCommons. Questa Licenza trova applicazione nel caso in cui
     l’Opera sia utilizzata in Italia. Ove questo sia il caso, si applica
     anche il diritto d’autore italiano. Negli altri casi le parti si
     obbligano a rispettare i termini dell’attuale Licenza Creative
     Commons generica che corrisponde a questa Licenza Creative Commons
     iCommons.
 .
 Creative Commons non è parte della presente Licenza e non dà alcuna
 garanzia connessa all’Opera. Creative Commons non è responsabile nei
 Tuoi confronti o nei confronti di altre parti ad alcun titolo per alcun
 danno, incluso, senza limitazioni, qualsiasi danno generale. speciale,
 incidentale o consequenziale che sorga in connessione alla presente
 Licenza. Nonostante quanto previsto nelle due precedenti frasi, qualora
 Creative Commons espressamente identificasse se stesso quale Licenziante
 nei termini di cui al presente accordo, avrà tutti i diritti e tutti gli
 obblighi del Licenziante.
 .
 Salvo che per il solo scopo di indicare al pubblico che l’Opera è data
 in licenza secondo i termini della CCPL, nessuna parte potrà utilizzare
 il marchio “Creative Commons” o qualsiasi altro marchio correlato, o il
 logo di Creative Commons, senza il preventivo consenso scritto di
 Creative Commons. Ogni uso consentito sarà realizzato con l’osservanza
 delle linee guida per l’uso del marchio Creative Commons, in forza in
 quel momento, come di volta in volta pubblicate sul sito Internet di
 Creative Commons o altrimenti messe a disposizione a richiesta.
 .
 Creative Commons può essere contattata al sito
 http://creativecommons.org/.

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